Give It A Go Day 2017

Saturday 29th July was Hawke's Bay Patchworkers and Quilter's 2nd Give It A Go Day. This year I was able to participate as a student rather than a tutor.

My morning workshop was Strip Pieced Magic with Neddie Clark, based on an idea in a book by Ricky Timms called Convergence Quilts.

We were required to bring 4 16" squares of different fabrics. I decided to take a selection of my hand painted fabrics. With Neddie's help we decided on four that looked good together and here is the result:

The workshop highlighted the need to be systematic, organised and precise. I was rather pleased with the result.

At 12 o'clock lunch was announced so we packed up and moved to the next station in preparation for the afternoon session. Some of our members volunteered to prepare a soup and bun lunch which was just what we needed.

My afternoon workshop was McTavishing Style Free Motion Quilting with Ann Yeo, using ideas from Karen McTavish's book, Mastering the Art of McTavishing.

I have done a bit of free motion quilting but it's always good to try something new. I have been impressed with Ann's wonderful quilts and wanted to learn her secret.

We started right back at the beginning with paper and pen to practice the shapes and create what Karen calls 'muscle memory'. I found the practice on paper quite relaxing. It felt good to draw. It was quite mesmerising. Then came time with the machine. We used a free motion foot, threaded the eye on the bobbin case and loosened the top thread. I was impressed with how easy it was. Just three main shapes and I was away like I'd been doing it for years. I'm really looking forward to incorporating these new skills in my future quilts.

There were two other workshops running, a foundation piecing class working on a Christmas tree runner and another class learning a new way to make Cathedral Window blocks.

Another great day, enjoyed by all who attended.

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A Busy Year

It’s hard to believe that it’s almost a year since my last post. Although I have been inactive here I have been busy in my studio.

For more than two years I have been working on a replica of Jane Stickle’s 1863 sampler quilt, aptly named Dear Jane by Brenda Papadakis, who painstakingly drafted all the patterns for the many blocks that make up this amazing quilt. I found the software package that Brenda and The Electric Quilt Company co-produced so I thought I would take up the challenge. And what a challenge is was. I made my first block on the 5th of October 2014 and completed the last one on 1st of December 2016.

I started the task with gusto but after a while the size of the project became a little overwhelming and my enthusiasm waned. Other projects presented themselves and my Dear Jane block making slowed to a stop.

Then I was introduced to Emma Rogan’s 100 Days Project – doing something creative every day for 100 days. Www.100daysproject.co.nz choose 2016 then search using ‘Dear Jane’ to view my project. This was just what I needed to get my Dear Jane back on track. I had completed 69 of the centre blocks and there were 100 to go (purely coincidental). It was a no brainer, I had to do it.

There were days when it was easy to complete a block and post it online, then others when it was more difficult. Trips away needed to be well planned with materials and tools packed to complete my blocks in motel rooms or waiting while travelling. It became exciting and fun to complete the challenge within the challenge!

The centre blocks took anywhere from half an hour to 3 hours to make. Some are pieced by hand others by machine. All the appliqué was done by hand. The centre blocks are 4 1/2″ square finished.

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Joining, sashing, positioning border triangles and kites, scalloped border, then sandwiching, quilting and binding took a further 5 months.

I learnt so much while completing this quilt. I realised early on that I needed to learn tradition skills rather than relying on my self taught techniques if I wanted to create a quilt that I could be proud of. I registered for Katrina Hadjimichael’s ‘Ashbourne Mill’ workshop at 2015 Symposium in Palmerston North to learn how to foundation piece. These skills proved invaluable for Dear Jane. The final scalloped border and the binding cut on the bias were also new skills to master.

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My plan was to exhibit my Dear Jane in the 2017 Christchurch Quilt Symposium. Imagine my dismay when I read the conditions of entry:

The entry must be the maker’s own work including the design, piecing, quilting & binding.

I emailed the committee and the reply was “have you changed the block placement or made it your own in any way?” – that’s not what a replica is about. I wanted my quilt to be as near as it could be (using fabrics from my stash), to Jane’s original wonderful design. Their suggestion was to submit it anyway and let the judges decide.

I chose to keep my non refundable entry fee. Why would I exhibit my replica alongside original designs? I understand that the committee has the right to decide on the criteria for their exhibition categories, so with a pang of disappointment I chalked it up to experience. I will exhibit it in another show.

Please leave me a comment if you have had a similar experience or if you too have created your own Jane Stickle Quilt.